What happened to Kanye West?
My, oh my how the tides have changed in just a year and a half for Kanye West. It appears the quality of music for Mr. West has taken a dramatic turn for the worst.
In November of 2010, I’d be the first to tell you that My Beautiful Dark Twisted Fantasy was a genius production by West. That album had so much color and depth to the songs that sent listeners into the type of fantasy the title states. It was twisted and dark, but it was definitely beautiful. I think the movie Runaway added to that. It brought a distinct imagery to the lyrics that I think of each time I listen to the album. I think about that story of dark times, love, hate, betrayal, desire and conflict.
But now, after listening to West’s latest releases off his G.O.O.D. Music label, “Theraflu” and “Mercy,” and looking at what Watch the Throne had to offer, I think West maybe nuzzling up to the Billboard bigwigs atop the pop charts.
As I said, Fantasy was brilliant. For the most part, Watch the Throne was good. I think Jay-Z carried that album lyrically, but West’s beats were very well done. Outside of “New Day,” West didn’t have much to offer as far as lyrics are concerned, leaning more toward the Lil Wayne style of money, cash, hoes.
That said, these most recent tracks are woeful. Woeful.
As soon as I heard D.J. Khaled with his signature Alvin-and-the-Chipmunks-like screaming, I knew that “Theraflu” wouldn’t have much to offer. There is no depth to West’s lyrics and the beat sounds like the annoying drone of combined ancient cellphone ringtones.
“Mercy” is clearly trying to expand off the success of “Paris” off Watch the Throne by the sound of its beat. On top of the club-like beat it adds a Mike Jones “Back Then” voice combined with high-pitched senseless babble to the chorus making for an extraordinarily annoying refrain. Again, there is no depth to the lyrics of this song.
The featured artists on the track don’t add anything either. Big Sean hasn’t gotten any better after the minor train wreck that was Finally Famous. Pusha-T is not living up to his potential he displayed in “Runaway.” And 2 Chainz is, well…2 Chainz.
What has been lost in these songs are the stories. Stories make the song worth listening. A catchy beat only goes so far before it gets annoying. Lyrics stay with people because they relate to the emotion. Tell me who hasn’t posted (or thought of posting) song lyrics as a facebook status or in a tweet to illustrate their feelings.
What are the people supposed to take away from songs like “Theraflu” and “Mercy”? Tell me.
Maybe I’m just being stuck in my ways as a traditionalist hip-hop connoisseur, but I miss the old Kanye West. What happened to this?
And this?
I miss when Kanye was the up-and-coming star, putting out tracks with meaning, feeling and emotion. I hope we’re not looking back in a few years thinking: What happened to Kanye West?